Monthly Archives: October 2020

Bing….

I have some gorgeous grandchildren and occasionally do some extreme nanning so we sometimes end up watching CBeebies – I refuse to watch any other childrens tellybox, the American stuff is appalling. Most of CBeebies is brilliant and we adore Mr Tumble, but I will be candid – I dislike Bing, whiny little long eared chap who does stupid stuff and then whines about it when it all goes tits up, gets on your nerves. Maybe I am getting too involved….step back, Bernie, it’s all make believe. Breathe.

But I am confessing now….I have always had a thing for the voice of Flop. Flop is Bings grown up and quite frankly I have fallen a bit in love with his voice, which makes Bing bearable. Until now I have kept that to myself, perving over the voice of a kids show character, knitted at that, is possibly not something to share in public. But I have just found out it is the voice of Mark Rylance and I am not sure if that makes it better or worse. Rylance is simply terrific – always watchable, always good. His work as Flop…? Adorable. I need to have a jolly good think….This was not on my predicted Nanning options back in the day. 🤣🤣🙃

PS don’t get me started about Duggie…..

A little bit older and deeper in…

So over the weekend I was cat-sitting. I don’t watch tellybox as a rule but took the opportunity to do a little selective viewing – my son has Netflix and why not take advantage..? I reached out to telly-viewing chums for suggestions and they did not disappoint.

Grace and Frankie, never heard of it before but binge watched the entire first series. Neil Simon-esque dialogue and settings, Jane Fonda and Lily Tomlin, Martin sheen and Sam Waterston among other shining stars. Briefly: two active professional but strikingly different women in their seventies, friends mostly because of their husbands, discover that their husbands are leaving them for each other and have been lovers for twenty years. Cue some lovely verbal nuances and exchanges and relationship observations that are so sharp they slide between your ribs before you notice they are there.

Sad, eh? But no, rather it was sparking, touching, laugh out loud funny, moving, and achingly relevant. For the older actors it was a brave decision to join the cast – more especially the women – and not because of the gay plotline although that too was welcome. In many ways the misogyny of aging, especially in the USA, means that women actors can be old but not be seen to be old and this series depended on being seen to be older and what that means. That made me happy. Jane Fonda is beautiful and always has been and seeing her allowing her old bones to be noticed gave me my own permission – should it be needed (spoiler: it isn’t) – to show my old bones as well. Lily Tomlin has always had the ability to reach out and speak to us, with mobile eyes and face and wry wit, and she too allowed her older bones to creak into view. And all these old people had sex! For crying out loud.

It was welcome to see older women, upper middle class professionals, addictions and mental health, articulate people and gay men as well as family challenges all in the mix and amusing without ever seeking to be shocking in order to make a point. The words did that more than effectively and that itself was more effective than the glut of sweary, obvious, attention seeking comics we have had in recent years. The danger of stereotyping was ever present but the series managed to acknowledge that while actually playing up to it in a very real sense – stereotypes are what they are for a reason, in the same way that cliches are cliches because they recur often enough to be true..and that allowed some stereotype myth-busting at the same time. And even the music was chosen so well, with a nod towards Harold and Maud in places which was appreciated. I am looking forward to the rest of the series.

And then I watched the Bourne Identity which set my pulse racing for a variety of reasons. I may be old but….

In that Forest…

Today was a good start to my weekend. I had on Radio 3 as usual this morning – I never check on the schedule, it’s serendipity and I like it that way. Probably my favourite piece in the world (there is a lot of competition for that place) Pergolesi Stabat Mater was an entire programme with the music presented in a wonderful variety of ways. And then! L’Apres Midi D’Un Faun – also possibly my favourite…..

I hadn’t been paying attention so the music, when it began, took me by surprise and the visceral hit was immediate. I was instantly back in the theatre watching Rudolph Nureyev dance. It was the highlight, for me, of one of our London breaks back in the day and the Old Man had bought me a ticket and left me to it. It isn’t his thing. The anticipation was electric. Nureyev was, by then, a little past his best but still the best of them all and sitting in my aisle seat close to the front of the theatre I was alive to the atmosphere. We were anticipating a God.

The music is magical, if one shuts ones eyes the Faun is right there, darting about, the green dell reverberates with animal calls and the smell of the grass and the tree bark are unmistakeable. It is possible to believe the glade is all around. I think it is such a clever, haunting piece partly, I think, because I experience synaesthesia and the sounds and the colours this piece provides are a perfect combination creating a perfect picture of what I think the piece means.

I knew at the back of my mind that it was unlikely I would see Nureyev perform again – indeed that many of us would. I absorbed his movements like blotting paper absorbs ink. I saw the sweat on his shoulders. I watched with hardly a blink as his body measured out the music as if they were one entity, sight and sound, the physical and the emotional, temporal and spiritual personified and made flesh. I smelled the forest and felt the delicate but penetrating intent of that music.

And this morning I sat in my study, motionless, sightless, back in that theatre, feeling the poetry. Thank you Radio 3 for such a lovely surprising start to my Saturday.

Woman, Spectrum, Being, Loving.

Well, who could have predicted…? No, not the complete pigs breakfast we are making of our democracies across the globe or the total neglect of care we show to our planet. Not those. I am referring to the fact that into my 60s I am finally beginning to grow up. It’s an odd feeling. I quite like it.

For the longest time I have beaten myself up for being awkward and sometimes difficult. I have over the years made a decent if variable fist of covering up social awkwardness, mostly, and have also made quite a good job of mothering, wifeing and friending. Less so daughtering, less so in-lawing. But at long last and partly due to my sons MA in autism and my own historic work with people with autism, I recognise that perhaps, maybe, if I squint at it a bit, I can see that it wasn’t all my fault, or indeed a fault at all. It just was. And having got this far I reckon I can keep going. I do work I love and am pretty good at it in all honesty, I have family and friends who are exceptional and brilliant, and this acceptance feels like the next and crucial stage in a mildly chaotic and chequered life story.

“On the spectrum” is such a lazily dismissive phrase which simultaneously manages to sound a bit fun and jazzy. It reminds me of when I was at school and we had to do sewing classes, which I hated. I was so excited to see one day, on the paper we had to read before class, that there was something called a selvedee that we would be making. It sounded whizzo! It sounded like a dance, or a new colour, interesting and inspiring. My disappointment on finding it was a typo and the thing was a selvedge, something that sounded like the sludge in the bottom of a bucket, was irreversible. I didn’t sew for years, but love it now. As I love the refreshed self confidence I have found in just being who I am. Some things just take time.

Why do I want to share this? Because I am not alone. Many women in my position muddle along for years making the best of it , developing coping strategies to enable family life to happen with as little disruption as possible and indeed burying ourselves in that family life, not seeing or valuing that there may be a reason for the uncomfortable feelings and struggles, but we do one thing really well: we blame ourselves. And then we burn out. We rage, resent, defy. And then accept. And maybe if women know that how we feel is ok, is just how it is, and we don’t have to try to conform in order to have a family life or a life at all, maybe then women can breathe easier and enjoy the life they have rather than try for the life people think they should have.

Women face a series of challenges. We are women for a start, subject to a torrent of expectations mostly created by and beneficial to men and perpetuated by everyone because that is how society works. How we look, sound, smell, behave, who we sleep with, live with, how we procreate, if and how we give birth and rear children. We are groomed into a mindset of daintiness and submissiveness and those of us who fail to toe the line have experienced a range of punishments over the centuries from simple rejection and mockery to a lifetime of dieting and anxiety, trafficking and rape, rejected for barrenness and equally rejected for having explicit desires, for being too old/fat/thin/clever/stupid/ambitious/addyourownwordhere to burning at the stake. Even, in the present day, some women and girls feeling somehow that they are better off as, should be, men and being encouraged to surgically alter their bodies, take sterilising drugs, and live a life they don’t need to live and from which there is no return, avoidable if only they could just be themselves. Control epitomised.

So much talk about wellbeing and mental health. For many women that starts and ends with rejecting others expectations, or at least adapting them. For me the catalyst that started my reinvention was grief. My parents died and I dealt with it very badly, although it was probably not obvious. I have had years of practice at carrying on regardless. Menopause also tagged along for the hell of it. A perfect storm into which I tumbled like a discarded, dried and wrinkled leaf, twirling down and around, cold and alone, waiting for the ground to meet me so that I could rest. Regret, grief, infinite change, a budding understanding that I wasn’t doing too well and that there may be a reason for that caused so much introspection that I felt a womans guilt for spending so much time on me. D’oh.

But here we are: not only a survivor of all that has gone before but also of covid, with a bit of a health hangover to go with it. That also causes a rethink or two. And in my 60s, perhaps now I can just be me. Businesswoman, poet, copywriter, social and community activist, whisky drinker, dedicated Mother and Grandmother, tattooed discreetly and probably more to come, part time battleaxe but mostly cuddly and fluffy, and not asking anyones permission to be anything at all. I think I am nicer now, if that matters, more patient, kinder, knowing that almost everyone who looks serene and competent is probably also paddling furiously under the water so I should cut them some slack. I manage very well, thank you, it works for me and I don’t need to change who I am, I just need to endorse it, love it, and work with it. It has brought some great gifts as well as challenges. I would say to women struggling in this way: You are your gift to yourself. It’s ok to just be, we are Human Beings not Human Doings, and you will find your way of being. Every day that I wake up I have a future. So do you.